(73) The main title sequence may be the sharpest part of this thriller, but Devil boasts a number of other merits. Shyamalan’s story is an interesting one, and the presentation (most notably the editing and cinematography) is top-notch. Devil is admittedly too transparent – showing its hand prematurely, and forcing the obvious on viewers when we’ve already moved on mentally – but even this issue might have been solved by eliminating bits of the preachy narration.
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